For a few weeks now at the Trinkhall, we have been etching using the intaglio technique. We have started operating an old printing press that was no longer in use with a roller, paper, tray, supports, cutters, sharp points, gravers and buffers, inks, brass, razor edges and levers; all the kit necessary for making the prints and drawings that will soon be down on paper. As we etch, we do so at a steady pace -  offbeat, backwards – in the quiet and peaceful workshop. Sometimes, it feels like the first emotion of our hands blowing in the caves of Pech-Merle or Gargas and that all our strokes are going back to our history lessons. Etching is an epiphany. Bernard Fournier (nicknamed Berga), one of the most talented activity leaders of the Créahm, guides the three workshop artists, Alain Meert, Samuel Cariaux and Aymeric Dodeigne. What a pleasure!